Amelia Earhart is arguably one of the best known
aviatrix of the twentieth century. Earhart set many records most notable being
the first female pilot to fly solo across the Atlantic. Her death has fuelled
as many conspiracy theories as those that surround 9/11.
On June 1937, during an attempt to circumnavigate the
globe, Amelia Earhart and her navigator, Fred Noonan, lost radio contact, ran
out of fuel and crashed into the Pacific Ocean.
Jane Mendelsohn’s novel is a fictionalised account of
what happened to Amelia Earhart after she lost contact with Howland Island, her
destination, and the navy.
Mendelsohn’s novel is at once a story of a driven,
unhappy possibly reckless woman who does not feel alive unless she is flying.
The author weaves fact and fiction, the present and the past using first and
third person narrative. First person narrative is used as Earhart’s own
personal point of view while third person narrative is utilised to portray
Earhart’s life. This moving to and fro, in and out of time and space allows the
author to blend, like some exotic biographer’s cocktail, layer upon layer of
fact and fiction, present and the past, real or imagined until the reader feels
drunk from bibliophilic pleasure.
But there is no hangover or altitude sickness as a
consequence of imbibing this particular cocktail. Instead one feels the need to
continue drinking the book without stopping for breath or coffee.
The novel is written in the style of a diary with
short, usually one paragraph long, entries.
“Back then, a plane was called a ship. There were
still cabins and a sense of voyaging. There was a reverence for flight because
it was so dangerous. People lost themselves. There was no safety.”
This diary style way of writing gives the novel a
sense of urgency. One feels that Amelia Earhart is writing down her thoughts
before either she dies, possibly by her own hand, or before she forgets. In the
author’s hands Amelia has something of a death wish. The aviatrix is trying to
make sense of the world she lives in and the decisions she made. She enjoys the
celebrity that has come with her exploits but feels guilty at doing so. She
regrets her marriage to the publisher George Putnam but understands that were
it not for him she would not have had the success she achieved.
“He’s the husband who made her famous, who devoted
himself to her, even when she hated him, even when he hated her back. She needs
him so that she can fly, so that she can escape from him, so that she can
escape from the very people who worship her.”
At only 146 pages in length the book is short but very
sweet. Jane Mendelsohn has taken the ‘goddess of flight’, as she was described
by the press, and brought her down to earth by encasing her feet in clay. But,
though the author has endowed Amelia Earhart with flaws, insecurities and an
occasional hint of self loathing, Amelia Earhart still remains a heroine.
Originally posted at http://thevoyageout-bookreviews.blogspot.co.uk/
2 comments:
This one sounds interesting. Amelia Earhart's story has always fascinated me, such a mystery surrounding her death and such an amazing lady. I like the sound of diary setup in this one.
Thanks for sharing the review.
You're welcome Naida. I hope you enjoy the book as much as I did.
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